exhibitions & events 2022
Showcase
Glasgow Print Studio First Floor Gallery
Exhibition Runs: 05 February - 26 March 2022
Preview: Saturday 5th February
Glasgow Print Studio’s first exhibition of 2022 is an historical and contemporary overview of prints published by Glasgow Print Studio over the past 30 years. The exhibition includes screenprints, etchings, woodcuts, monoprints and digital prints made in collaboration with our master printers.
Utilising both gallery spaces, the works on show embody an exceptional selection of artists, including Royal Academicians and Royal Scottish Academicians, Turner Prize winners and nominees, and international comic book artists.
Exhibiting Artists:
Arrange Whatever Pieces Come Your Way, Dame Elizabeth Blackadder RA RSA, John Byrne, Claire Barclay, Christine Borland, Martin Boyce, Steven Campbell, Rob Churm, Ken Currie, Ashley Cook, Eileen Cooper RA, Kate Downie RSA, Moyna Flannigan, Michael Fullerton, Alasdair Gray, John Houston, Tom Hammick, Peter Howson, Kenny Hunter, Jim Lambie, David Mach, Ian McCullough, Bruce McLean, Abigail McLellan, Scott Myles, Eduardo Paolozzi, Goran Parlov, Toby Paterson, Ciara Phillips, Barbara Rae RA, Philip Reeves, Ray Richardson, Seher Shah, Ross Sinclair, Adrian Wizsniewski, Leinil Yu.
Works from the show can be viewed here
Image: Ciara Phillips, 'Calculated Risk', 2018, woodcut and screenprint, 112 x 76 cm, edition of 12. Tom Hammick, 'Narrow Road to the Deep North', 2019, etching, 70 x 58 cm, edition of 30. David Mach, 'It Takes Two' (small) screenprint, 55 x 56 cm, edition of 50. Christine Borland, 'Pastinaca Sativa', 2002, etching, 61 x 47 cm, edition of 20. Barbara Rae RA, 'New Fence', 2017, carborundum, 54 x 60 cm, edition of 20. Claire Barclay, 'Untitled', 2013, screenprint, 72 x 52 cm, edition of 40. Toby Paterson, 'Palimpsest', 2012, screenprint, 51.5 x 70 cm, edition of 20. John Byrne, 'Memento Mori', 2020, screenprint with watercolour, 69 x 48 cm, varied edition of 10. Eileen Cooper, 'Peace', 2019, etching, 49 x 43 cm, edition of 40.
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